Eco Death
A wholly original album spanning a variety of genres.
Eco Death was completely written, performed, mixed, and mastered by King Bradley.
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“Numb Insides sees the artist lean into his experimental approach with a downtempo slice of twisted trip-hop style art rock. With the laid back snap of drums setting a mellow groove, buzzing synth textures collide with the subtly haunting tones of playful organ as King Bradley lays down stretched melodic leads above, progressing with the eerie aesthetic of processed vocal elements and blues-eqsue guitar licks.” - Alex Stone, Plastic Magazine
“The first song “ Garbage Goliath Vs. The Trash Titan” is a rousing Garage Rock number composed of rich guitar riffs, and thumping drums all underpinned by King Bradley’s commanding vocal runs and graphic storytelling of two creatures that are made from man’s negligence and duke it out Godzilla and Gargantua style. He paints a cinematic picture of death and destruction as these two monstrosities destroy everything in their path as they battle for supremacy.” - Tayo Odutola, TheWordIsBond.com
“With Towering Terror the artist injects racing energy with rattling drums, pulsing slap bass lines and airy instrumental textures underpinning his vocal leads with dances above, delivering picture painting lyrics with lively expression. With the twang of lightly gritty guitar tones and the screech of electric leads colouring the soundscape, its another superb showcase of the artist’s wild originality and entertaining sound.” - Alex Stone, Plastic Magazine
“Pyramids of Geezer is a testament to King Bradley’s unparalleled artistry and ability to transcend musical boundaries. Within the tapestry of Eco Death, this track serves as a beacon of creativity, inviting listeners on a genre-defying, thought-provoking, and inspiring journey.” - Natalie America, newfiremusic.net
“Next up is the pop-infused Fossilization which is introduced by a lonesome horn arrangement and lush keys with minimal grooves. Here, King Bradley changes his usual repertoire and uses tuned melodic runs that sound like the 90s group Eiffel 65. It’s quite an unexpected departure and throws me off a beat but it works for what it’s worth..” - Tayo Odutola, TheWordIsBond.com
“Upward Bound, the production once again changes into a bright and somewhat atmospheric aesthetic, although he says it’s Funk/Jazz, this track sounds like experimental pop to me. The lyrics are unapologetic, somewhat off-kilter but distinct.” - Tayo Odutola, TheWordIsBond.com
“Our favorite one, “Super Stall,” it’s energetic, punchy and will get stuck in your head for a long time. The guitars and drums are amazing and the production is smart, creative and professional. The vocals are enjoyable and easy to listen to.” - Cheers to the Vikings
“Other highlights on the record include songs like “Ionizer” with its punchy rhythms and competing layers of guitar plucks and bass notes. Wrapping his voice in an aggressive sound to reflect the fierce vocal style, the song serves up a raucous sound of moody avant-garde rock music.” - Alex Stone, Plastic Magazine
“The final track “ Terminal Command” helps bring the track to a closure with its solemn and melancholic aesthetics. Here, King Bradley reflects on the current state of affairs and concludes with the foreboding lines “Taking all until the end/These horrors we didn’t not intend/The seas are all but dying/Corals bleach and dolphins crying/I will never live forever, we all must die together”. The 7-minute-long track is quite enthralling and brings the project to a conclusion which might not be digestible for some.” - Tayo Odutola, TheWordIsBond.com
“The early tone is set by the fuzzy riffs of Garbage Goliath Vs Trash Titan which plods along with garage and psych rock sensibilities before passionate vocals deliver cutting lyrics. From there we get a delightful grab-bag of genre surprises. The textured and eerie ballad Numb Insides gives way to the urgent punk of Towering Terror. Pyramids of Geezer introduces rapped verses during its attack on income inequality while Fossilization is a contemplative pop odyssey. Upward Bound is jazzy with a compelling melody, Super Stall brings some severe rock, and Ionizer some meandering riffs and devilish vocals. The album is then wrapped up by Terminal Command. Taking the themes of despair and desolation introduced so far, it ramps up the emotion with pleading vocals, cynical lyrics and a ponderous, dramatic style.” - Graeme Smith, York Calling
“Pyramids of Geezer by King Bradley is a haunting and experimental journey into the depths of consciousness . . . From the moment the track begins, listeners are transported into a world of dark and aggressive vibes, with King Bradley’s commanding presence on the mic guiding them through a landscape of haunting melodies and atmospheric sounds. The lyrics of Pyramids of Geezer are cryptic and introspective, touching on themes of existentialism, mortality, and the human condition.” - Rachel Sinclair, Folded Waffle
“King Bradley is an artist with more than fifteen years of musical experience, working across a broad range of styles from instrumental jazz to rock, opera to musical theatre and more. More recently he’s captured his own sonic vision and unveiled his unique sound to the world. A true solo artist, he writes, arranges and performs all the music while handling all the production, mixing and mastering to bring to life his music exactly as he sees it.
In December last year, he dropped his debut single “Dies Bildnis ist bezaubernd schön,” released via Dynasty Records. Now King Bradley returns on the imprint to bring us his most ambitious project to date, his debut full-length record titled Eco Death.
Across its nine tracks, the artist reveals the full scope of his artistic output, delivering a release that flows across a wide spectrum of genres including rock, metal, jazz-tinged funk and a whole host of nuances and facets of his innovative sound. Tracking ideas of the erosion of modern society, widespread discord and an impending apocalypse, with his first album, King Bradley paints a vivid world of engrossing themes and dark context.” - Alex Stone, Plastic Magazine
“Overall Eco Death, is a thorough and somewhat cynical look at what is happening to humanity and with the way we are going, King Bradley might just be right.” - Tayo Odutola, TheWordIsBond.com
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